Today's Scripture Reading (June 21, 2026): Zephaniah 3
His name was
Norman Sheffield (1939-2014), not that I would expect many to remember him.
Norman Sheffield had a song written about him in 1975, and even though his name
was not mentioned in the song, he sued the band and the label that released it.
The band was "Queen," and the labels were "EMI" and "Elektra."
If you do recognize Sheffield's name, it is probably more because of the
lawsuit than because of the song. The lawsuit actually brought more scrutiny to
the song than it would have likely received had Sheffield remained quiet. Queen
eventually settled the lawsuit out of court and, in the process, admitted that,
yes, the song "Death on Two Legs," the opening track on the band's
album "A Night at the Opera," was in fact written about Norman
Sheffield.
Queen,
especially Freddie Mercury, believed that Sheffield had deliberately mismanaged
the band, a situation that came to a head when Sheffield refused to advance
Queen bassist John Deacon £40,000 as a down payment on a house. Freddie Mercury
was incensed by the refusal and immediately began writing what amounts to a "Diss
Track" about Sheffield. Not naming the now former manager, the singer had
a few choice words about the manager's work on behalf of Queen over the preceding
three years.
You suck my blood like a leech
You break the law and you breach
Screw my brain 'til it hurts
You've taken all my money, and you want more
Misguided old mule
With your pigheaded rules
With your narrow-minded cronies
Who are fools of the first division
Death on two legs
You're tearing me apart
Death on two legs
You never had a heart
Of your own.
The song
only gets worse from there. Freddie admits he wanted the lyrics to be as "coarse
as possible." The rest of the band was actually shocked by the lyrics. EMI
wasn't sure the song should be included on "A Night at the Opera,"
let alone be the opening track. It was an opinion shared by Queen guitarist
Brian May. But in the end, Mercury got his way. "Death on Two Legs"
was not released as a single, but it became a fan favorite anyway, marking the
moment when many of us graduated from buying singles to purchasing albums.
Zephaniah
doesn't identify the city of oppressors, but we don't have to guess. We might
hope, from the way Zephaniah 2 ends, that the prophet's ire would be directed
at Nineveh, but later references to the prophets and priests, as well as the
mention of the sanctuary and the law, reveal the truth. Zephaniah's "Diss
Track" in this section of his writing is Jerusalem, and her own disbelief
defiled the rebellious city.
Tomorrow's
Scripture Reading: Jeremiah 1